Models

Canada’s models show virus slowing but could surge at any time, PM won’t open border soon

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As cases of COVID-19 continue to spread around the world, Canadians seem to be increasingly concerned about their health and safety

Currently, there are more than 102,000 confirmed coronavirus cases in Canada and more than 8,500 deaths.

Check back for the latest updates on the coronavirus outbreak in Canada.

For a full archive of the first month of the pandemic, please check our archive of events.

June 29

1:25 p.m.: Canada’s top doctor stresses the importance of contact tracing as COVID-19 continues to pop up in

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Miami officials have a few models for reopening schools. It’s up to parents to decide.

Miami-Dade County Public Schools’ plans keep shifting as coronavirus cases continue to spike exponentially.

The school district was due to announce its plan to reopen schools for the 2020-21 school year on Wednesday but postponed to squeeze in one more meeting with its work group of medical professionals and community members. The full plan will be presented at a special School Board meeting Wednesday, July 1.

“After the last Zoom call, as a parent, grandparent, I was extremely nervous and upset,” said Eileen Segal of the Family & Community Involvement Advisory Committee on Wednesday. “After listening today I feel a lot calmer.”

On Friday, the 23-member work group met virtually again to go over a revised draft plan. Seven models of how instruction would take place were whittled to four: A daily attendance at the schoolhouse model with reduced class sizes and social distancing; two hybrid models of in-person and

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Cannes Delivers Big Titles, Sales & Hope but Questions Market Models

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“The Blacksmith,” “Ferrari,” “Armageddon Time” and “The Card Counter” look like market highlights of an extraordinary Cannes market, which saw its two virtual platforms delivering for a select number of big U.S. projects, amid large market caution and even fear of a second COVID-19 spike.

In the art film sector, Cannes Official Selection label titles made much of the running, with distributors lamenting that they would have loved to have seen more screened at Cannes. “Without the festival, the market was weak in terms of arthouse, because we lacked the buzz, hype and the experience of being all together in a screening room,” said Stefano Massenzi, head of acquisitions and business affairs at Italy’s distribution banner Lucky Red.

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Equally, more mainstream distributors looked for greater depth in the pre-sales market. Most everyone, however, was delighted and some even surprised that

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